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Product Description This reissue contains two bonus tracks from the original LP sessions. Personnel includes: Bobby 'Blue' Bland (vocals); Wayne Bennett, Clarence Holloman (guitar); Robert Skinner, L.A. Hill (tenor saxophone); Rayfield Devers (baritone saxophone); Joe Scott, Melvin Jackson (trumpet); Pluma Davis (trombone); Connie Mack Booker, Teddy Reynolds (piano); Hamp Simmons (bass); John 'Jabo' Starks, Sonny Freeman (drums). Recorded between March 12, 1956 and November 12, 1960. Includes liner notes by Bill Dahl and Dzondria Lalsac. Digitally remastered by Erick Labson (Universal Mastering).
If you are unfamiliar with Bobby Bland, TWO STEPS FROM THE BLUES is the place to start. The album marked a watershed of creative bursts and commercial recognition for the legendary blues singer. The foundation of TWO STEPS' blues was an uptown Texas blues sound, relying more on sophisticated arrangements, horns, and orchestras than gut-bucket Delta guitar heroics. Inside the lush grooves, Bland moved with restraint, crooning seductively, a tried-and-true ladies man.
Which is not to say that Bland is all smooth grooves and sweet nothings. No, his gospel roots rise up like thunderclouds at precise moments, erupting to transform the album's ballads into rattling experiences.
The undeniable power of Bland's squalls punctuates 'Cry, Cry, Cry' and 'I Pity the Fool.' His trademark mixture of smoky crooning and strangled outbursts has helped place Bobby Bland alongside the best R&B singers of the century. Average Rating: (2) (0) A Masterpiece There were many great blues/soul singers to come down the pike during this genre's heyday but there were only a few that could match the inimitable style and elan of Mr. Robert Calvin 'Bobby' Bland! Among those were, Lou Rawls (early carteer) Johnny Adams, Little Willie John, Ray Charles and B.B. King (early career), among a few others.
Bobby Bland Two Steps From The Blues Album
Joe Scott's great band here, including the late Rayfield Devers on baritone sax,a personal friend of mine from the days when we played together with Ike & Tina Turner's Revue and later,Sam & The Goodtimers, is a perfect foil for Mr. Blands vocal heroics and this album, followed by 'Here's The Man' with basically the same orchestra, are the epitome of what sophisticated blues and urban music was all about.
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Released in vinyl album form in the early 60's, it was a hallmark album that is still a viable addition to anyone's collection today. Tight, precise and with the rhythm backing of Hamp Simmons and Jabo Starks, this release will stand the test of time for generations to come. One of my all time favorite albums in my collection. By (Ventura, CA, USA) Review is for a different. (0) (1) another step several fond steps down memory lane By (florida) Review is for a different. (0) (1) Anything but bland First off its important to note that this album, despite its reputation, is not perfect. The song-writing is not especially strong, the playing can be a little mannered and sounds somewhat dated in places, the sound quality is a little rough here and there.
But on the good side you have what must be one of the greatest voices in soul at the height of its power. Bland's vocals can veer from a dignified, desolate whisper to a gut-wrenching, anguished howl within the space of a few words. The range of timbre, expression and, er, range, is astounding. Download flatout 2 game setup gio. Buy this album and no matter how lonely, love-lorn or lost you may feel, Bobby Blue Bland will always be at your side keeping you company through the darkest moments. He sings like he's been there before you. By a reviewer (Warrington, Cheshire, UK) Review is for a different. (0) (1) Buy this album This album is simply great!
An early classic that showcases Bobby Blue Bland's voice which he uses to great effect on smoldering blues ballads and anguished pleas such as Cry, Cry, Cry, Little Boy Blue, I pity the Fool and so on. Advanced mechanics materials cook young pdf printer. Check ou t this blues master. I also highly recommend The Duke Recordings Vol. 1 and Turn on Your Lovelight. Cheers By a reviewer (Paris, France) Review is for a different. Have you heard this album?
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Without a doubt, is the definitive album and one of the great records in electric blues and soul-blues. In fact, it's one of the key albums in modern blues, marking a turning point when juke joint blues were seamlessly blended with gospel and Southern soul, creating a distinctly Southern sound where all of these styles blended so thoroughly it was impossible to tell where one began and one ended.
Given his Memphis background, was perfectly suited for this kind of amalgam as envisioned by producer/arranger, who crafted these wailing horn arrangements that sounded as impassioned as 's full-throated, anguished vocals. It helped, of course, that the songs were uniformly brilliant. Primarily from the pen of, along with Duke head and (among others), these are the tunes that form the core of 's legend and the foundation of soul-blues: 'Two Steps from the Blues,' 'I Don't Want No Woman,' 'Cry, Cry, Cry,' 'I'm Not Ashamed,' 'Lead Me On,' 'Little Boy Blue' - songs so good they overshadow standards like 'St. James Infirmary.'
These are songs that blur the division between soul and Chess blues, opening the doors for numerous soul and blues sounds, from Muscle Shoals and Stax through the modern-day soul-bluesman. Since this, like many blues albums from the late '50s/early '60s, was a collection of singles, it's possible to find the key tracks, even the entire album, on the numerous collections released over the years, but this remains an excellent, essential blues album on its own terms - one of the greatest ever released.